Burning Man Journal Authors

Carmen Mauk is passionate about creating platforms that encourage radical community participation. She is the co-founder and former director of Burners Without Borders, a program of Burning Man Project that creates participatory models for international disaster relief and community initiatives. She is also the founder of Burning Man Information Radio, BRC's community radio station. Carmen holds a Masters degree in Transformative Leadership from the California Institute for Integral Studies where she became an enthusiastic student of the art of creating community collaborations that bring about positive change.

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A member of Burning Man Project's Philosophical Center, Caveat served as the Volunteer Coordinator for Media Mecca from 2008 - 2013, and the lead writer/researcher for Burning Man's education program from 2016 - 2018. Caveat is the author of the The Scene That Became Cities: what Burning Man philosophy can teach us about building better communities. He has also written several books which have nothing to do with Burning Man. He has finally got his email address caveat (at) burningman (dot) org working again. He tweets, occasionally, as @BenjaminWachs

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The Census Lab is a volunteer team of information geeks, academic researchers, students, and general data nerds who have surveyed Black Rock City (BRC) residents since 2002.

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Christine Kristen (a.k.a LadyBee) is Burning Man’s Archivist, Art Collection Manager and Photo Gallery editor. She was Burning Man's art curator from 1999 to 2008, where she dealt with all things visual and aesthetic, including managing the art and the art grant program, photo-editing the Image Gallery, writing art content for the Burning Man website, working with the ARTery, managing the archives, and lecturing and writing about the art of Burning Man. She is the co-author of "The Jewelry of Burning Man", with Karen Christians and George Post, and the curator of the exhibition "PlayaMade: Jewelry of Burning Man", which debuted at the Fuller Craft Museum near Boston in 2017. It opens at the Bellevue Arts Museum in Seattle in January 2020. She has an MFA in sculpture from the Art Institute of Chicago.

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Christopher Breedlove is the Program Manager for Burners Without Borders (BWB). BWB supports year round initiatives from across the globe with innovative civic engagement solutions and community resiliency projects. Coming to the Burning Man Project from Chicago, Christopher has a history of creating dynamic and participatory civic projects with a particular interest in democratic granting programs. 2016 will be his tenth trip to Black Rock City.

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DA, wings on fire, crash-landed smack dab in the middle of Burning Man 97, ticket in hand, and never left. Three burns later, DA was adopted by the Department of Public Works' Clean-Up Crew and was awestruck at the transformative power of Leaving No Trace. DA grew to be leader, transforming the Clean-Up Crew into the Playa Restoration All-Star Team, and creating the first Moop Map in 2006 as a way to visualize the community's Leave No Trace effort. As a poster artist, DA has illustrated the launch of the Burning Man Theme for 2006 Hope and Fear: The Future, 2007 Green Man, 2008 American Dream, 2013 Cargo Cult, and 2015 Carnival of Mirrors. DA loves the Black Rock Desert and believes that if we, the community, continue to Leave No Trace, then together we can keep building and burning the world over.

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Dadara started designing flyers, live-paintings and record covers for the then upcoming international electronic house music scene in the nineties. In 1999 Dadara built his first big public sculpture, the nine-meter-high Greyman Statue of No Liberty in front of the Rijksmuseum in Amsterdam. This launched a career in building provocative public art installations, including many in Black Rock City: Fools Ark (2002), Burning Greymen (2003), Checkpoint Dreamyourtopia (2008), the the Exchanghibition Bank (2011), the Transformoney Tree (2012), and Solipmission (2017).

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Dan A. Baker is a writer in Dublin, CA, with interests in geo-politics, history, science and human behavior. He wrote and published the first novel on gene-based aging reversal Forever and Ever in 2012 with a scene at Burning Man. He is currently writing a sequel, and developing a script about aliens going to Burning Man to learn the elusive attainment of fun, mirth, camaraderie by ordeal and the mystery of art. He has also worked with Profiles in the Dust and wrote the forthcoming Ebook The Lost Operas of Burning Man. He finds Burning Man a great affirmation that the world really does belong to the imaginative and the givers.

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Danger Ranger is Burning Man's Director of Genetic Programming. Some claim he possesses near borderline supernatural powers, including the ability to bi-locate and appear at two places simultaneously. In 1992 he founded the Black Rock Rangers. He also created the first Burning Man mailing list/database, produced the first issue of the Black Rock Gazette, established the Burning Man Archive, and drove the first art car to the Black Rock Desert. Michael functions as the guiding light of San Francisco's famous Cacophony Society. His Silicon Valley career began with Fairchild Semiconductor just a few years before it gave birth to Intel. After 1984, he served as a robotics consultant to Apple Computer and later engineered the rise (and fall) of Jasmine Computer Systems. Always riding the edge, he contributed to the Mondo2000 house in Berkeley and wired Wired Magazine's first office in San Francisco. His wide range of experiences includes having been a combat veteran in Vietnam and a federal fugitive in the United States. Other past activities include involvement with the machine performance group Survival Research Laboratories. Throughout the year, M2 lends his guidance and wisdom to navigate Burning Man into the future.

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